Yamaha 01v pro tools

The Yamaha 01V comes with a rack able option and is very easy to set up. You wont even need to open up the manual to get going, its all self explanatory if you know how to operate most other gear. You can use it with midi which is good because most all equipment now a days is tied to midi. The knobs seem to be pretty strong and well built. Not too sure how it will hold up over the next few years because most machines tend to have issues with the sliders and knobs as time progresses. But if you need the manual hopefully you can find one or one comes with it, because this item is no longer made.

You can still pick one of these up at a lot of different places online. People are selling these off to upgrade, but with this unit you wont need to upgrade if you know what your doing. It can do everything any other higher priced mixer does. It will be interesting to see how well this holds up for me though, even as old as it is, I still want to see if it can take the wear and tare of how we use our equipment here.

Most mixers of this caliber are upwards of at least a grand. But because this is an older model you can get it for a lot cheaper that.

Even when it first came out years ago it was only around dollars or so here in the US. Maybe even check down at your local pawn shops as there might be some gear there similar to this one. Read the 42 user reviews on the Yamaha 01V.

Analog Mixers. Summing mixers. Configure my preferences Accept all Our cookies. You can find more details on data protection in our privacy policy. Select all Our cookies. Website preferences. Development of the M7CL began with the question: "are analog mixers really ideal when it comes to ease of use? Furthermore, all primary control functions were concentrated into just two display pages.

The LS9, targeted at the club and "live house" market, was born through a fusion of the concepts developed for the M7CL and the full force of Yamaha digital technology and know-how. It provided all essential functions of a live sound system in a digital package that was small and light enough for a single operator to transport and use anywhere.

It was, quite simply, a comprehensive digital solution for live sound. Two models are available: the rack-mountable LS, and the larger LS This variation added a digital stage box solution to the groundbreaking M7CL that was originally intended to directly replace analog mixers in existing systems.

The 01V96i is basically an 01V96 outfitted with the very latest technology, multitrack recording capability, advanced VCM effects, and a refined high-performance head amp section, to meet the needs of today's demanding live sound applications.

A USB connector supports channel audio input and output, and can be directly connected to a computer running Steinberg Cubase AI6 or similar DAW software to allow multitrack recording via a single cable.

The demands and expectations directed at the mixing console, the core of any live sound system, are vast and varied.

The ideal console must deliver reproduction performance and sound-shaping features that can satisfy an overwhelming variety of artists and engineers, while simultaneously being able to adapt to the needs of the moment in any environment with versatile operability. And of course it must be able to integrate smoothly into a wide range of systems. The CL series consoles come as close as possible to the ideal using the most advanced technology available at this time. The acclaimed CL series raised live digital mixing console performance to an unprecedented level of refinement with evolved sound quality, operability, and functionality.

Core features and performance inherited directly from the CL series, including natural sound supported by sonically superb internal processing capabilities, operation that easily adapts to the demands of just about any working environment, and built-in Dante networking that facilitates flexible system configuration, have now been condensed and concentrated into the compact QL series digital mixing consoles.

QL series consoles offer all-in-one mixing, processing, and routing capability for small to medium scale live sound, corporate speech events, installations, and much more. First, you're going to need a global variable to remember what the fader's value in Pro-Tools is.

There are a couple of ways to go from there. I'm assuming you have different presets for different functions so you can recall the values of different parameters based on what you're working on. Thanks for the tips! You got me thinking, and now I have it working I'm not really switching on and off presets like your example, but I am using a timer and a global as you suggested to temporarily quit listening for Pro Tools HUI updates for ms until I let go of the 01v fader, and it works.

I then send my outgoing message to Pro Tools. The action that fires ms after the fader quits moving sets the global variable back to 1. Great to hear. I'm looking forward to see what you got.

Guido Many thanks in advance B. The answer here is hidden in setting this up as a HUI controller. Pretty sure that would work. Thats what you want to look for I have the exact same problem except that I am using PT9. I have tried using an ipad app called ac7 core and this works fine, so I think everything is ok with Protools.

But of course I want to use real faders!! It seems as though the problem is related more to the 01v96 side of things? I am still pursuing and will let you know if I find anything. Please do the same. Regards, Dik.